“I wanted to do something with the interiors that clearly inspired by the architecture,” says Smith, who’s known for his layered, evolved-over-generations aesthetic. “But I always love English houses that are a little more exuberant, a little more interesting, so it’s not all super-severe-looking Georgian decoration.” The rooms he put together have all the warmth and prettiness of traditional English interiors, but their multiple reference strike a looser note. There’s no dearth of serious English antiques – George II, meet George III – but they mingle with overstuffed pieces in homey fabrics, chunky Chinese bureaus, exotic Moorish side tables. Coarse sisals foil exquisite antique rugs; bold ikats play off pale English chintzes. Architectural digest
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